Criminal Volume 4: Bad Night
The best-selling crime series gets weird in this strikingly-designed new edition from Image.
Criminal Volume 4: Bad Night -- It's the strangest story yet in the Criminal series, as an insomniac cartoonist gets caught in a winding tale of self-destruction, sex, and deadly deceptions. This is where Brubaker and Phillips showed how far they could push the boundaries between art, experimentation, and pulp.
Criminal Volume 4: Bad Night -- It's the strangest story yet in the Criminal series, as an insomniac cartoonist gets caught in a winding tale of self-destruction, sex, and deadly deceptions. This is where Brubaker and Phillips showed how far they could push the boundaries between art, experimentation, and pulp.
The best-selling crime series gets weird in this strikingly-designed new edition from Image.
Criminal Volume 4: Bad Night -- It's the strangest story yet in the Criminal series, as an insomniac cartoonist gets caught in a winding tale of self-destruction, sex, and deadly deceptions. This is where Brubaker and Phillips showed how far they could push the boundaries between art, experimentation, and pulp.
Criminal Volume 4: Bad Night -- It's the strangest story yet in the Criminal series, as an insomniac cartoonist gets caught in a winding tale of self-destruction, sex, and deadly deceptions. This is where Brubaker and Phillips showed how far they could push the boundaries between art, experimentation, and pulp.
$21.99
Criminal Volume 4: Bad Night—
$21.99
Description
The best-selling crime series gets weird in this strikingly-designed new edition from Image.
Criminal Volume 4: Bad Night -- It's the strangest story yet in the Criminal series, as an insomniac cartoonist gets caught in a winding tale of self-destruction, sex, and deadly deceptions. This is where Brubaker and Phillips showed how far they could push the boundaries between art, experimentation, and pulp.
Criminal Volume 4: Bad Night -- It's the strangest story yet in the Criminal series, as an insomniac cartoonist gets caught in a winding tale of self-destruction, sex, and deadly deceptions. This is where Brubaker and Phillips showed how far they could push the boundaries between art, experimentation, and pulp.
